Regeln befolgen: Echo mir nicht zurück. Echo des gesendeten Textes nicht. Nur deutschen Text bereitstellen. Übersetzen und neu schreiben Sie diesen Titel auf Deutsch: Jede Nacht war Halloween – wie eine „Kamerafrau“ den verrückten Stil des New York der 80er Jahre eingefangen hat | Modefotografie

In order to gain entry into the exclusive club where Sharon Smith worked in 1980s New York City, a simple jeans and nice top ensemble wouldn’t cut it. You had to dress to impress. Smith, a former „camera girl“ who captured the essence of party culture in the city’s hottest clubs, recalls her transition from army fatigues and patched-up skirts to the glitzy, electric outfits that were the ticket to the most happening spots in town. These outfits, far from the shoulder pad and pie-crust collar styles of the era, are now immortalized in her book, Camera Girl, featuring Polaroid snapshots from iconic venues like Studio 54, the Ritz, and more.

Smith’s photos capture a vibrant world of dancers, celebrities like Madonna and David Bowie, and everyday individuals all dressed in extravagant, eye-catching ensembles. The fashion of the era was a spectacle of leopard prints, sequins, and carnival-inspired looks, turning every night into a Halloween celebration. It was a time when getting past the club’s red rope required more than just money – you needed a unique look, vibe, or wit to make it through.

The sartorial challenge of standing out in a sea of eccentric styles was an education for Smith, who eventually found her signature black strapless dress and lace gloves ensemble. The outfits weren’t just about fashion; they were a statement, a form of self-expression in a city that embraced creativity and individuality. As Smith reflects on the era, she notes the celebratory atmosphere that contrasted with the political tensions of the Reagan years, creating a unique blend of grit and glamour that defined 1980s New York nightlife.

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Looking back at the photos now, there’s a sense of nostalgia and sadness as many of the vibrant personalities captured in Smith’s lens were lost to the AIDS epidemic that devastated the community. The fashion and creativity of that era, with its rip-and-tear T-shirts and daring ensembles, left a lasting impact on the cultural landscape, showcasing a level of individuality and expression that Smith feels is missing in today’s world.

Aber, für besser oder schlimmer, das könnte sich bald ändern. „Es ist kein Grund, diese schreckliche [Zeit] durchzumachen“, aber wenn etwas Gutes daraus kommt, hofft sie, dass „es eine weitere Explosion der Kreativität gibt“. Kamera Mädchen von Sharon Smith ist jetzt erhältlich, veröffentlicht von Idee.